It must have done well enough, and they had a lot of confidence in you guys by then to deliver it. ![]() Smigel would come in later on and riff with us. We could have done it all night, right, Dana?ĭana Carvey: We would do it for hours. We established an outline, and we were just kind of riffing on it and cracking up. I don’t remember specifically pitching it, but Dana and I went back to our office we were sharing and threw ideas around. Kevin Nealon: It was like any other sketch. ![]() Also, they do a lot of voices! Read some excerpts from the interview below, or listen to the full episode of Good One wherever you get your podcasts. On Good One, Carvey, Nealon, and Smigel talk about how the characters were born, how the movie was written, and what it was like revisiting the project. Until now! Carvey, Nealon, Schwarzenegger (voiced by Smigel), and O’Brien have reunited to read scenes from the previously lost-to-time screenplay, and you can listen to “The Lost Hans & Franz Movie” episodes on Conan O’Brien Needs a Friend when the series drops on May 17. But once Schwarzenegger backed out, the project fell apart, and the movie became just something the four writers would bring up occasionally in interviews and on each other’s podcasts. The result was Hans & Franz: The Girlyman Dilemma, a road-trip comedy/show-business satire/musical starring the duo and Schwarzenegger himself. The frequency of their appearances and placement in the show - Hans and Franz often showed up during cold opens - is incredible by today’s standards, in which big characters might appear only a few times over the course of a cast member’s entire run on the show and, increasingly, on “Weekend Update.” So, after a few years on the show, Carvey and Nealon decided it was time to take Hans and Franz to Hollywood, and they wrote a movie with the help of Robert Smigel and Conan O’Brien. In the late ’80s, Hans and Franz, Dana Carvey and Kevin Nealon’s muscle-bound cousins of Arnold Schwarzenegger, were an SNL sensation.
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